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Aileen Adler

Multi-Arts; Performing Arts: Actor, Musician, Vocalist; Visual Arts: Film, Performance Art, Sculpture

Living in Austin for 25+ years (via Philadelphia), Aileen Adler has developed deep roots in the local performance and creative community. Being a multidisciplinarian has led her on many creative adventures and experiences. From music to metalwork, seeing creativity without limitations. Aileen Adler has been playing and performing the Theremin, the world’s first electronic instrument, for over 20 years. Invented in 1920 by Russian physicist Lev Sergeyevich Termen (or Leon Theremin), the Theremin produces many tones and dynamics, from the vocal effects of a singer to the sounds of a violin. Because the Theremin performer manipulates electromagnetic fields to create sound, never touching the instrument, performance is as fascinating for live audiences to watch as to hear. Trained as a violinist and as a vocalist, Adler strives to present the Theremin as a diverse and viable musical instrument, adapting its “other worldly” sound to many styles of music including classical, jazz, progressive rock, experimental, world music, and beyond. With her current band, Temple of Ape Collective, she spans limitless genres, with a touch of psychedelia. She has delighted audiences with her magical musical experimental voyages, from performing with the Austin Cinematic Symphony to performing at festivals and lecturing on the technology and history of the Theremin.

OLANIYI R. AKINDIYA

Multi-Arts; Performing Arts: Construction/Collage, Fiber/Paper, Mixed Media, Multi-Arts, Painting, Performance Art, Performing Arts, Photography, Sculpture, Textiles, Visual Arts; Visual Arts: Construction/Collage, Fiber/Paper, Mixed Media, Multi-Arts, Painting, Performance Art, Performing Arts, Photography, Sculpture, Textiles, Visual Arts; VIDEO

ARTIST STATEMENT Olaniyi’s work focuses on moments of time, fleeting moments that can be easily forgotten or transformed. Reflecting on rural versus urban life, the accelerated pace of development, and social infrastructure, his work explores the personal and the universal, investigating the invisible systems of power that govern everyday existence. He utilizes a multitude of techniques and materials, including re-purposed objects, which may result in mixed media painting, sculpture, installation, video, photography, sound, or performance. Ultimately, his work is designed to create comfort, peace, and solace. He believe that art can be a balm to the soul, revealing a quiet inner truth. His art is a reflection of the joys of life, directly inspired by rhythm, harmony, and the movement of daily existence. BIO Olaniyi Rasheed Akindiya aka AKIRASH, was born in Lagos – Nigeria. His first degree in BIOCHEMISTRY from the University of Agriculture Abeokuta in Nigeria (1991). Later he studied Fine and Applied Art at the Institute of Textile Technology Art and Design in Lagos – Nigeria (1995). He moved to USA in 2011. He now live between Lagos – Nigeria and Pflugerville – Texas – USA. Olaniyi is a recipient of the Innovative Artist Award from the Mid America Artist Alliance (MAAA / NEA) for 2017, Pollock Krasner Foundation Award 2016/17 & 2011, Cultural Initiative & Capacity Building Grant, Culture Alive from city of Austin 2016/17, the Santo Foundation grant 2015, and the Commonwealth Connection Award UK 2011. Throughout his career, the role of residencies and interactions with other artists has been pivotal to his work. Olaniyi has been awarded residencies in the USA Residency Fellowship at International Studio and Curatorial Program NY 2016/17, Oklahoma State University Museum of Art 2015, University of Texas in Austin 2015, Santa Fe Art Institute Residency Award 2015, Mass gallery (Hot box Residency in Austin TX 2014, Centraltrak UTDallas 2013, Residency at Triangle Art Association New York 2012, residency at the Vytlacil of Art Students League New York, Residency Fellowship at Vermont studio Center 2011, Fellowship Residency at Bluesky Project Woodstock – Chicago 2008, artists in Residency at Artcroft Kentucky. Internationally, Olaniyi has been awarded residencies Art at the Heart Award 2016 & 17 in Western Australia, Sacatar Instituto Fellowship Residency Brazil 2015, Kiosko Gallery Residency in Bolivia 2014, Fellowship Residency at John Muafangejo Art Center Namibia 2013, Fellowship Residency at Nafasi Art Space Tanzania 2012, Tupelo / Bag Factory Residency South Africa 2012, Nirox Projects Space Residency Johannesburg- South Africa 2012, Residency at Gladstone Gallery Toronto – Canada 2011, Centre for contemporary Art Residency Lagos- Nigeria 2010, Thami Mnyele Foundation Amsterdam-The Netherlands 2010, and Sansa Triangle International Residency in Kumasi – Ghana 2009. Olaniyi’s work was exhibited at the 12th edition of Dak’Art Biennale, Dakar- Senegal 2016. He also participated in Chale Wote Street Festival Accra – Ghana 2013, International Multimedia Festival Yagon-Myanmar 2012, infecting the City Street Festival Cape Town – South Africa 2012, and the East Africa Biennale (ESTAFAB), Dar Sallam – Tanzania 2005 & 2007. His works and writing has been featured in several publications including Aesthetica Magazine (Issue 80), Important World Artists Vol 1, Hidden Treasure Art Magazine UK, Virtual Residency 2006/2007 Germany, Freedom to Create Prize 2009, ART EDUCATION (The journal of the national art education association Vol 68, No. 6) Studio Visit Magazine Vol 26 & Vol 34, Critical Interventions (journal of African Art History & Visual Culture. NOV 11). Spring 2013, Reechantments (The City in the Blue Daylight) Dak’Art 12thEdition 2016.

Alejandra Almuelle

Visual Arts: Ceramics, Mixed Media, Sculpture, Visual Arts

Alejandra Almuelle was born in Arequipa, Peru. She spent few years in Pizac in the Sacred Valley of Cuzco, a center for ceramic making. Peru is a country in which the abundance of clay has made this medium a language of artistic expression. Clay is its own idiom, and being there, she began to speak it. After she moved to Austin, she started working with clay. Addressing the functionality of the medium as well as its sculptural expression has been equally important for her. Her work has been shown in galleries and museums in group and individual shows. She also has participated in art fairs with both pottery and sculpture. The exploration of an idea in a piece is central to Almuelle. She works in a series until the idea is exhausted within the form. She has completed several series in which the common thread is the human shape. She usually finds herself in between the pull that lures her to work to see “it “in front of her and the challenge to translate into form what has an intangible shape in a corner of her mindʼs eye. “While working on a piece, the piece is also working on me, working as a way of revealing, making visible, bringing into light”. As a base medium, she feels that clay is appropriate for expressing the human journey because it is the stuff we are made of.

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