Hypocrisy, greed, seduction, betrayal in the best of Moliére’s most famous farces. Under the religious cloak of piety, the lecherous, menacing, arch-hypocrite title character schemes to marry his benefactor’s daughter, seduce his wife, then defraud him of all he possesses. Does the scoundrel succeed? Find out in City Theatre’s 42% irreverent adaptation of one of the world’s greatest comedies.