Please join Elevator Bath and Antumbrae Intermedia Events + Installations in welcoming the Bay Area’s Jim Haynes for his debut Texas performance. This evening will feature Haynes’ intensely singular sound + vision and will be a celebration of his new LP on Elevator Bath, “Flammable Materials from Foreign Lands.”

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JIM HAYNES

Jim Haynes is a California artist defining his work through the phrase, “I rust things.” The statement embraces a multiplicity of meanings across various media. There are three major approaches in the work at large: the mangled surfaces of corroded photographs, the cryptic tension of the video / expanded cinema pieces, and the caustic field disturbances in sound composition. Blight. Dislocation. Subcutaneousness. Toxicity. Brackishness. Psychic unease. These allusions (amongst others) develop and materialize through various chemical, digital and/or analog means, often an intertwined amalgam. This process seeks to accentuate the instability of these conditions and territories as a series of evocations, hauntings, convulsions, and evanescence.

Through sound (and more recently video), Haynes investigate these properties of corrosion, specifically on how decay parallels and relates to the perception of time when cycles of activity collapse into stasis, and how that stasis can rupture when any number of pressures are applied. These result from a cross-contamination of ultrasound detection, shortwave reception, surveillance camera observation, moribund radiophonic exploration, and/or electro-magnetic disruption.

Based in California, Jim Haynes has exhibited internationally at the San Francisco Museum Of Modern Art, the Lausanne Underground Film Festival, the Berkeley Art Museum, WestSpace (Melbourne, Australia), and Diapason (New York). Recorded media has been published through Editions Mego, Ghostly International, Drone Records, Hooker Vision, Intransitive, Semperflorens, Elevator Bath, and The Helen Scarsdale Agency. He has also been awarded residencies at the Djerassi Resident Artists Program (California), Recombinant Media Labs (California), Jack Straw Productions (Seattle), and MoKS (Estonia). He has participated in a number of fruitful collaborations with Loren Chasse, Keith Evans, Steven Stapleton, and M.S. Waldron. Until 2015, Haynes was the Vice President and Curatorial Director for 23five Incorporated, a nonprofit organization dedicated to the development and increased awareness of sound arts within the public arena. He is also the lone occupant at The Helen Scarsdale Agency.

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RICK REED

Rick Reed (b. 1957) has been creating audio compositions since 1982. His recent works are intuitive studies of electricity, frequency fluctuations, and improvised ‘on the fly’ solutions to symmetry problems in electronic sound. Over the past decade he has centered his live work on using short wave radio, synthesizers, and sine wave generators to create otherworldly synthetic sounds with a surface of aesthetic elegance and beauty. Reed lives in Austin, Texas, and has performed throughout the United States and Europe. His music has been used by filmmaker Ken Jacobs in three of his experiential magic lantern films, Spiral Nebula, Mountaineer Spinning, Capitalism: Child Labor.

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COLIN ANDREW SHEFFIELD & JAMES ECK RIPPIE

Performing together for the past 16 years, Colin Andrew Sheffield (samples, processing) & James Eck Rippie (turntables, samples, processing) are an improvising duo who sculpt primarily with commercial recordings to create works interested in turning aspects of plunderphonics, glitch, and sound art into a form of abstract beauty.

James Eck Rippie (b. 1977) is a visual/sound artist originally from outside Nashville, TN, spending the last 6 years in New Orleans, and has recently returned to Austin, Texas. His recorded work has been as a turntablist . But has also worked extensively with other instruments and mediums. His focus with turntables has been creating abstract sound and concrete assemblages from various records while utilizing altered needles, turntable feedback, effect pedals, damaged records, resampling,etc. While decomposing the original sound source, Rippie’s intentions are to understand the transcending possibilities of sound as well as testing the capabilities of the turntable as an instrument. He releases his work for the Cronica Electronica (Portugal) and Elevator Bath (US) labels. And has collaborations with sound artist’s Simon Whetham (UK), Paulo Raposo (PT) and erikM (FR).

Colin Andrew Sheffield (b. 1976, El Paso TX) is a sound artist focusing on the strict re-contextualization of other commercially available recordings. His aim is to distill the essential qualities of these works and to then utilize that essence for new recordings. Usually only very brief sections of the original works are selected. These raw components are then contracted, expanded, layered, and/or otherwise processed until something new is forged. The resultant music is an atmospheric soundscape, gradually shifting and unfolding. In 1998, Sheffield founded the Elevator Bath recording label which has continually issued experimental works from a variety of artists from the United States and abroad (including Rick Reed, Tony Conrad, Merzbow, Francisco López, and many more). Sheffield has released a number of solo recordings, including 2005’s “First Thus,” his debut long-player, as well as 2009’s “Signatures” (via the Invisible Birds label), 2010’s “Slowly” (on the Mystery Sea label of Belgium), and 2012’s “Time Will Tell” (on the Quiet World label of the UK).