Rebekah Heller pieces from “metafagote”
Praised for her “flair” and “deftly illuminated” performances by The New York Times, bassoonist Rebekah Heller is a uniquely dynamic solo and collaborative artist. Called “an impressive solo bassoonist” by The New Yorker, she is fiercely committed to expanding the modern repertoire for the bassoon. Her debut solo album of world premiere recordings (featuring five new pieces written with and for her), 100 names, was called “pensive and potent” ... view more »
Rebekah Heller pieces from “metafagote”
Praised for her “flair” and “deftly illuminated” performances by The New York Times, bassoonist Rebekah Heller is a uniquely dynamic solo and collaborative artist. Called “an impressive solo bassoonist” by The New Yorker, she is fiercely committed to expanding the modern repertoire for the bassoon. Her debut solo album of world premiere recordings (featuring five new pieces written with and for her), 100 names, was called “pensive and potent” by The New York Times and her newly-released second album, METAFAGOTE (also entirely made up of pieces created with and for her), is receiving wide acclaim.
Matt Steinke (with Rosalyn Nasky, dancer and volunteers)
1. Die Fracht
2. Stepper Rattle
3. Forms
Matthew Steinke is an American artist currently living in Austin, TX. His work explores the “inner voices” of objects portraying the construction of their identities through the intersection of sound, sculpture, and video.
Over the past two decades, Steinke’s installations and performances have been presented in museums, galleries, and festivals across the U.S., Canada, and Europe. He holds an MFA in Art and Technology Studies from The School of the Art Institute of Chicago. Upon graduation, he received The Illinois Arts Council Fellowship for Interdisciplinary/Computer Art. He was a juror’s finalist and Seed Grant recipient for ArtPrize 2016 and a 2015 New Music USA Project Grant recipient. He received an award at the 2018 Margaret Guthman Musical Instrument Competition for his “Stepper Rattle” instrument. His work has been featured in Wired, Artweek LA, The Village Voice, The San Francisco Bay Guardian, Hackaday, and on the cover of Tape Op.
Kyle Evans performance for Augmented Didgeridoo
Kyle Evans (MFA, The School of the Art Institute of Chicago) is a new media artist, sound designer, educator, and performer. Focusing on the intersection of art and technology, his work commonly explores concepts of hacking, technological failure, and digital media artifacts. He has produced and presented a wide range of tech-art performance and new media installation work throughout North America and Europe at venues such as MUTEK San Francisco, Transmediale in Berlin, the International Computer Music Conference at Columbia University, the Dallas Video Festival at the Dallas Museum of Art, the Blanton Museum of Art in Austin, Dimanche Rouge in Paris, the Vancouver New Music Festival, the Currents New Media Festival in Santa Fe, and the GLI.TC/H festival in Chicago. He is a founding board member and instructor at the creative coding institution dadageek, board member and composer of the spatial sound collective Rolling Ryot, and creator of the tech-art event curation organization CounterVolt. He is actively involved in multiple internationally recognized collaborative and solo new media projects including Cracked Ray Tube, Limited Hangout, and pulseCoder. His writings and work have been presented in several academic and popular publications including the Leonardo Music Journal, Computer Music Magazine, Neural Magazine, and Popular Science Magazine. He is currently an active artist and instructor of audio production, electronics, and creative coding in Austin, TX.
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